95
Mad Max: Fury Road review
A two-hour chase across a desert wasteland with almost no dialogue and an extraordinary amount of practical stunt work. The best action film of its de…
★★★★½ 4.9/5
Science fiction is the genre of extrapolation — take one premise, follow it rigorously, and see what it reveals about the present. The best examples treat their central idea as a question rather than a setting, and they are usually less interested in the future than in the assumptions of the moment they were made in. Technology is the delivery system; the subject is always us.
This hub currently collects 8 reviews. Our library is curated rather than comprehensive, and every genre page grows as we publish.
Ordered by our score, highest first.
95
A two-hour chase across a desert wasteland with almost no dialogue and an extraordinary amount of practical stunt work. The best action film of its de…
★★★★½ 4.9/5
94
A couple erases each other from their memories after a breakup, and the film follows the erasure from the inside. Kaufman's best script and Carrey's b…
★★★★½ 4.8/5
94
A heist film with five simultaneous timelines and an emotional core about mourning. The spectacle is the delivery system; the guilt is the payload.
★★★★½ 4.8/5
94
A hacker learns his reality is a simulation and spends two hours deciding what to do about it. The action was revolutionary; the ideas were older than…
★★★★½ 4.8/5
92
A replicant blade runner uncovers a secret that could collapse the distinction between human and manufactured. Patient, beautiful, and uninterested in…
★★★★½ 4.7/5
92
A laundromat owner discovers she must connect with parallel versions of herself to save existence, and the film turns out to be about a mother and a d…
★★★★½ 4.7/5
92
An unusually earnest science-fiction film that treats relativity as a source of grief. When it works it is overwhelming; when it explains itself it st…
★★★★½ 4.7/5
91
The first half of Frank Herbert's novel, adapted with unusual fidelity and an extraordinary sense of scale. Patient, enormous, and confident.
★★★★½ 4.7/5
Year, director, runtime and score for every film in this genre.
| Film | Year | Director | Runtime | Score | Rating |
|---|---|---|---|---|---|
| Mad Max: Fury Road | 2015 | George Miller | 120 min | 95 | ★★★★½ |
| Eternal Sunshine of the Spotless Mind | 2004 | Michel Gondry | 108 min | 94 | ★★★★½ |
| Inception | 2010 | Christopher Nolan | 148 min | 94 | ★★★★½ |
| The Matrix | 1999 | Lana Wachowski, Lilly Wachowski | 136 min | 94 | ★★★★½ |
| Blade Runner 2049 | 2017 | Denis Villeneuve | 164 min | 92 | ★★★★½ |
| Everything Everywhere All at Once | 2022 | Daniel Kwan, Daniel Scheinert | 139 min | 92 | ★★★★½ |
| Interstellar | 2014 | Christopher Nolan | 169 min | 92 | ★★★★½ |
| Dune | 2021 | Denis Villeneuve | 155 min | 91 | ★★★★½ |
Science fiction extrapolates from existing or plausible science and generally maintains internal rules about what is possible. Fantasy invents its own rules. The boundary is frequently contested and frequently blurred.
Because dystopia is the most efficient way to make present-day anxieties legible. It is easier to see a system's logic when it has been followed to its conclusion.
Inception for accessibility, Interstellar for emotional scale, and Blade Runner 2049 for atmosphere.
Our ranked lists place these films against each other within a decade or a genre, and explain the ordering.