97
Spirited Away review
A sulky ten-year-old wanders into a world of spirits, loses her name, and has to work for a living. Miyazaki's most complete film and his most quietly…
★★★★★ 5.0/5
Fantasy is the genre that requires the most world-building and offers the greatest risk of losing the audience in it. The films that work are the ones where the invented world has rules that matter to the story, and where the stakes are recognisably human despite the scale. Spectacle is the easy part; coherence is the hard part.
This hub currently collects 2 reviews. Our library is curated rather than comprehensive, and every genre page grows as we publish.
Ordered by our score, highest first.
97
A sulky ten-year-old wanders into a world of spirits, loses her name, and has to work for a living. Miyazaki's most complete film and his most quietly…
★★★★★ 5.0/5
95
The first and best of the trilogy, and the film that proved a sincere fantasy adaptation could be a serious piece of filmmaking rather than a novelty.
★★★★½ 4.9/5
Year, director, runtime and score for every film in this genre.
| Film | Year | Director | Runtime | Score | Rating |
|---|---|---|---|---|---|
| Spirited Away | 2001 | Hayao Miyazaki | 125 min | 97 | ★★★★★ |
| The Lord of the Rings: The Fellowship of the Ring | 2001 | Peter Jackson | 178 min | 95 | ★★★★½ |
Consistency and relevance. The rules of the world only matter if the story depends on them, and the audience only invests if the stakes are recognisably human.
Because they prioritise fidelity to the source's plot over translation into film grammar. A faithful adaptation that does not work as a film is not faithful to anything that matters.
The Fellowship of the Ring, for the coherence of its world and the way each region has a distinct identity.
Our ranked lists place these films against each other within a decade or a genre, and explain the ordering.