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  <title>AJ Movie Reviews</title>
  <link>https://ajmoviesreview.pages.dev/</link>
  <description>Independent film reviews and criticism. Full reviews, genre hubs, ranked lists and video breakdowns, written by people who watch the credits.</description>
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    <title>Oppenheimer (2023) review — 93/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/oppenheimer-2023</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Biography</category>
    <description>Full review of Oppenheimer (2023): Nolan&#x27;s three-hour structure, Murphy&#x27;s performance, and the practical Trinity sequence. Rated 4.8/5.</description>
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    <title>Everything Everywhere All at Once (2022) review — 92/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/everything-everywhere-all-at-once-2022</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of Everything Everywhere All at Once (2022): the Daniels&#x27; multiverse structure and Michelle Yeoh&#x27;s performance. Rated 4.7/5.</description>
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    <title>Dune (2021) review — 91/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/dune-2021</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of Dune (2021): Villeneuve&#x27;s scale, Fraser&#x27;s photography, and why this adaptation works where others failed. Rated 4.7/5.</description>
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    <title>Joker (2019) review — 84/100</title>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Drama</category>
    <description>Full review of Joker (2019): Phoenix&#x27;s Oscar-winning performance, the Scorsese borrowings, and the film&#x27;s confused politics. Rated 4.4/5.</description>
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    <title>Parasite (2019) review — 96/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/parasite-2019</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Thriller</category>
    <description>Full review of Parasite (2019): Bong Joon-ho&#x27;s vertical staging, the genre pivot, and why it won Best Picture. A film where the house is the argument. Rated 5/5.</description>
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    <title>Blade Runner 2049 (2017) review — 92/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/blade-runner-2049-2017</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of Blade Runner 2049 (2017): Deakins&#x27; photography, the slow-burn structure, and how Villeneuve expands the original&#x27;s questions. Rated 4.7/5.</description>
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    <title>Get Out (2017) review — 93/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/get-out-2017</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Horror</category>
    <description>Full review of Get Out (2017): Jordan Peele&#x27;s horror of social discomfort, the Sunken Place, and why the film&#x27;s structure is airtight. Rated 4.8/5.</description>
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    <title>La La Land (2016) review — 89/100</title>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Romance</category>
    <description>Full review of La La Land (2016): Chazelle&#x27;s Cinemascope staging, the original songs, and the ending that made the film divisive. Rated 4.6/5.</description>
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    <title>Mad Max: Fury Road (2015) review — 95/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/mad-max-fury-road-2015</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Action</category>
    <description>Full review of Mad Max: Fury Road (2015): Miller&#x27;s centre-framed visual storytelling, the practical stunts, and why it is the decade&#x27;s best action film. Rated 4.9/5.</description>
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    <title>Interstellar (2014) review — 92/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/interstellar-2014</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of Interstellar (2014): the science, the practical effects, McConaughey&#x27;s performance, and where Nolan&#x27;s ambition outruns his script. Rated 4.7/5.</description>
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    <title>Whiplash (2014) review — 94/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/whiplash-2014</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Drama</category>
    <description>Full review of Whiplash (2014): Chazelle&#x27;s editing rhythm, Simmons&#x27; Terence Fletcher, and the film&#x27;s deliberately unresolved final scene. Rated 4.8/5.</description>
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    <title>The Grand Budapest Hotel (2014) review — 91/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-grand-budapest-hotel-2014</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Comedy</category>
    <description>Full review of The Grand Budapest Hotel (2014): Anderson&#x27;s nested structure, Fiennes&#x27; performance, and the melancholy under the pastel. Rated 4.7/5.</description>
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    <title>The Social Network (2010) review — 93/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-social-network-2010</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Biography</category>
    <description>Full review of The Social Network (2010): Sorkin&#x27;s structure, Fincher&#x27;s direction and Reznor and Ross&#x27;s score. Rated 4.8/5.</description>
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    <title>Inception (2010) review — 94/100</title>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of Inception (2010): Nolan&#x27;s nested dream architecture, the practical effects, and the film&#x27;s real subject — a man who cannot let go. Rated 4.8/5.</description>
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    <title>The Dark Knight (2008) review — 96/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-dark-knight-2008</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Action</category>
    <description>Full review of The Dark Knight (2008). Nolan&#x27;s escalation structure, Ledger&#x27;s Joker, the IMAX photography, and why the film works as a crime saga. Rated 5/5.</description>
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    <title>The Departed (2006) review — 88/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-departed-2006</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Crime</category>
    <description>Full review of The Departed (2006): Scorsese&#x27;s remake of Infernal Affairs, the parallel structure, and the ending that still shocks. Rated 4.6/5.</description>
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    <title>Eternal Sunshine of the Spotless Mind (2004) review — 94/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/eternal-sunshine-of-the-spotless-mind-2004</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Romance</category>
    <description>Full review of Eternal Sunshine of the Spotless Mind (2004): Gondry&#x27;s in-camera effects and Kaufman&#x27;s structure. The best romance of its decade. Rated 4.8/5.</description>
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  <item>
    <title>The Lord of the Rings: The Fellowship of the Ring (2001) review — 95/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-lord-of-the-rings-the-fellowship-of-the-ring-2001</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Fantasy</category>
    <description>Full review of The Fellowship of the Ring (2001): Jackson&#x27;s scale, the practical effects, Howard Shore&#x27;s score, and why it still holds. Rated 4.9/5.</description>
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    <title>Spirited Away (2001) review — 97/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/spirited-away-2001</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Animation</category>
    <description>Full review of Spirited Away (2001): Miyazaki&#x27;s hand-drawn world-building, the bathhouse as workplace satire, and why it rewards adults more than children. Rated 5/5.</description>
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    <title>Gladiator (2000) review — 88/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/gladiator-2000</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Action</category>
    <description>Full review of Gladiator (2000): Scott&#x27;s reconstructed Rome, Crowe&#x27;s Maximus, Phoenix&#x27;s Commodus, and the film that revived the historical epic. Rated 4.6/5.</description>
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    <title>Fight Club (1999) review — 89/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/fight-club-1999</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Drama</category>
    <description>Full review of Fight Club (1999): Fincher&#x27;s formal control, the twist, and why the film&#x27;s satire is so widely misread. Rated 4.6/5.</description>
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    <title>The Matrix (1999) review — 94/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/the-matrix-1999</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Sci-Fi</category>
    <description>Full review of The Matrix (1999): the Wachowskis&#x27; fusion of Hong Kong action, cyberpunk, and philosophy, plus the bullet-time innovation. Rated 4.8/5.</description>
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    <title>Toy Story (1995) review — 93/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/toy-story-1995</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Animation</category>
    <description>Full review of Toy Story (1995): Pixar&#x27;s first feature, the buddy-film structure, and why the technology mattered less than the writing. Rated 4.8/5.</description>
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    <title>Se7en (1995) review — 93/100</title>
    <link>https://ajmoviesreview.pages.dev/reviews/se7en-1995</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Thriller</category>
    <description>Full review of Se7en (1995): Fincher&#x27;s bleached photography, the ending, and why it is a horror film wearing a procedural&#x27;s coat. Rated 4.8/5.</description>
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    <title>The Shawshank Redemption (1994) review — 98/100</title>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Drama</category>
    <description>Our full review of The Shawshank Redemption (1994): Darabont&#x27;s quiet craft, Morgan Freeman&#x27;s narration, and why the ending still lands. Rated 5/5.</description>
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    <title>The Multiverse Problem: What Everything Everywhere Gets Right — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/the-multiverse-problem-everything-everywhere</link>
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    <pubDate>2026-10-08T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>Episode six looks at Everything Everywhere All at Once: how the Daniels make multiverse mechanics structural, and why the film&#x27;s emotional argument works.</description>
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    <title>Why Interstellar&#x27;s Third Act Divides People — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/why-interstellars-third-act-divides-people</link>
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    <pubDate>2026-10-02T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>Episode five examines Interstellar&#x27;s use of relativity, the Miller&#x27;s planet sequence, and why the tesseract and the love monologue split audiences.</description>
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    <title>Parasite and the Architecture of Class — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/parasite-and-the-architecture-of-class</link>
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    <pubDate>2026-09-25T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>Episode four examines Parasite&#x27;s vertical staging, the smell motif, and how Bong Joon-ho turns a house into an argument about class that no dialogue could make.</description>
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    <title>How Fury Road Tells a Story Without Dialogue — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/how-fury-road-tells-a-story-without-dialogue</link>
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    <pubDate>2026-09-18T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>Episode three breaks down Mad Max: Fury Road&#x27;s centre-framed staging, its visual exposition, and the practical stunt work behind the decade&#x27;s best action film.</description>
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    <title>The Ending of Se7en, Explained and Defended — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/the-ending-of-se7en-explained</link>
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    <pubDate>2026-09-11T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>Episode two looks at Se7en&#x27;s final act: why the film withholds the box, how the bleach-bypass look shapes the story, and what the last line actually means.</description>
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    <title>Why The Godfather Still Works — video review</title>
    <link>https://ajmoviesreview.pages.dev/vlog/why-the-godfather-still-works</link>
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    <pubDate>2026-09-04T09:00:00+00:00</pubDate>
    <category>Video reviews</category>
    <description>In episode one we look at why The Godfather still works fifty years on: the wedding structure, Gordon Willis&#x27; lighting, and the ending that reframes everything.</description>
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