95
The Silence of the Lambs review
A trainee FBI agent must earn the cooperation of an imprisoned cannibal to catch an active killer. The film is about being looked at, and it never let…
★★★★½ 4.9/5
Horror is the genre most willing to engage with what a society would rather not discuss. Its monsters are almost always standing in for something — a social fear, an institutional failure, a private shame — and the best examples are the ones where the metaphor and the scare are structurally inseparable. A horror film that can be reduced to its monster is not doing the work.
This hub currently collects 2 reviews. Our library is curated rather than comprehensive, and every genre page grows as we publish.
Ordered by our score, highest first.
95
A trainee FBI agent must earn the cooperation of an imprisoned cannibal to catch an active killer. The film is about being looked at, and it never let…
★★★★½ 4.9/5
93
A Black photographer visits his white girlfriend's family estate and slowly realises something is very wrong. Peele's debut is a perfectly engineered …
★★★★½ 4.8/5
Year, director, runtime and score for every film in this genre.
| Film | Year | Director | Runtime | Score | Rating |
|---|---|---|---|---|---|
| The Silence of the Lambs | 1991 | Jonathan Demme | 118 min | 95 | ★★★★½ |
| Get Out | 2017 | Jordan Peele | 104 min | 93 | ★★★★½ |
Because our library is currently curated rather than comprehensive. This section will expand significantly as we add titles.
Its willingness to address what other genres avoid. Horror has historically been the most direct route to discussing social violence, and the best examples are inseparable from their context.
Get Out, which is genuinely frightening and entirely legible to viewers who do not usually watch horror.
Our ranked lists place these films against each other within a decade or a genre, and explain the ordering.